Science fiction works are commonly classified on a spectrum ranging from “soft” to “hard”. The distinction lies in the fiction’s attitude toward the physics (or other science) involved in the story. In soft sci-fi, the physics is ad-hoc, created as needed to serve the story, with no consistent theory behind it; only its outlines are apparent, with the details glossed-over. Most television sci-fi, such as Star Trek, falls into this category; so do many venerable sci-fi novels, such as Dune, Ender’s Game, and Foundation.
Conversely, hard sci-fi pursues a more committed relationship with the laws of physics. While the author may still add new physics for story purposes—cheap faster-than-light travel being a popular choice—it is constructed in a way that makes it fit in with real-world physics; it is plausible that there could be a deeper theory behind it. The details have been well-thought-out and may be discussed at length; likewise, the technologies encountered in the story have been conceived with real-world engineering principles in mind. Works that lean toward the “hard” end of the spectrum include most anything by Arthur C. Clarke, Robert A. Heinlein or Larry Niven; Peter F. Hamilton’s Night’s Dawn trilogy; Neal Stephenson’s Anathem. Continue reading